🍒 After Robots - Wikipedia

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After Robots. By BLK JKS. • 9 songs. Play on Spotify. 1. Molalatladi. ​ 2. Banna Ba Modimo. 3. Standby. 4. Lakeside.


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BLK JKS : After Robots - CD - SECRETLY CANADIAN - Forced Exposure
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BLK JKS - Standby

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Pushing against a mountain of hype, BLK JKS' debut LP is hugely ambitious, with a bigness of sound that's hard to approximate and control.


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BLK JKS - Tselane

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After Robots. By BLK JKS. • 9 songs. Play on Spotify. 1. Molalatladi. ​ 2. Banna Ba Modimo. 3. Standby. 4. Lakeside.


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Banna Ba Modimo

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"It's been too long since anyone was able to bring this much soul and heartblood to progressive rock, a medium that has been left cold and dry by a misguided.


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BLK JKS - "Molalatladi" (Official Video)

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Pushing against a mountain of hype, BLK JKS' debut LP is hugely ambitious, with a bigness of sound that's hard to approximate and control.


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Lakeside

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Pushing against a mountain of hype, BLK JKS' debut LP is hugely ambitious, with a bigness of sound that's hard to approximate and control.


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BLK JKS Afropop Documentary

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View credits, reviews, tracks and shop for the Vinyl release of After Robots on Discogs.


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BLK JKS - Lakeside

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After Robots. By BLK JKS. • 9 songs. Play on Spotify. 1. Molalatladi. ​ 2. Banna Ba Modimo. 3. Standby. 4. Lakeside.


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Standby

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"It's been too long since anyone was able to bring this much soul and heartblood to progressive rock, a medium that has been left cold and dry by a misguided.


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BLK JKS - Banna Ba Modimo

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Pushing against a mountain of hype, BLK JKS' debut LP is hugely ambitious, with a bigness of sound that's hard to approximate and control.


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Tselane

Pitchfork is the most trusted voice in music. And even harder to control. It's not always great-- the band has a tendency to let its best ideas get the best of them-- but there is a bigness of sound that is hard to approximate. This is a strange band, one minute rivaling the Mars Volta in bombast, the next prettily strumming about like Vampire Weekend's bolder, authenticated friends. Closer "Tselane" finds the band stripping away all but an acoustic guitar, and suddenly Buthelezi's quick-tongued lilt reveals a wide-eyed hopefulness. And just as there is both hope and fear for director Neill Blomkamp's follow-up, BLK JKS have some refining-- and maybe a bigger budget-- to work on next time around. That After Robots has been released just a scant few weeks after the runaway success of the politically-tinged South African sci-fi glopfest, District 9 , is fitting.

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So they will be judged probably not all that well against the strains of expectation. But that's too bad because After Robotsproduced by the Secret Machines' Brandon Curtis, is a hugely ambitious album, with swooping forays into kwaito, ska, blk jks - after robots, ambience, jazz, prog, and furor.

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He sings here in English, Zulu, and Xhosa, mixing and matching dialects on songs, turning moments of revelation on "Molalatladi" into opaque reflections. Vocalist Lindani Buthelezi has a voice that sounds heroic when swathed in reverb, which hides some of the deficiencies, but his songs are often shrouded. There's a lot of sparks and smoke, but few fireworks. The enormity of sound-- often a loose-limbed rumble and shout-- always starts out well. The vocal harmonies are tucked deeper into the mix, the guitar tones are gorgeously bright, the crescendo hits at the perfect moment. The intersection of hype, payoff and muddled message is a unique coincidence of South African cultural currents. The band was discovered, in part, by who else? Skip to content Search query All Results.